Brief (with a little Ally McBeal flourish)
Issue: How did Pythagoras create the 7-note C scale from a monochord, and what are the frequencies (Hz) for each note if middle C = 261.63 Hz?
Short answer (conclusion)
Using the Pythagorean method (stacking perfect fifths with ratio 3:2, and using 2:3 when dividing string length), the C-scale frequencies are:
- C = 261.63 Hz
- D = 294.33 Hz
- E = 331.13 Hz
- F = 348.84 Hz
- G = 392.45 Hz
- A = 441.50 Hz
- B = 496.69 Hz
- C (octave) = 523.26 Hz
Facts & Rules (Pythagorean method)
- The pitch (frequency) of a string is inversely proportional to its length. If the string length becomes 2/3 of original, the frequency becomes 3/2 of original.
- A 1:2 length ratio gives an octave (frequency doubles). Dividing the string in half raises pitch one octave.
- Pythagoras built the scale by stacking perfect fifths (ratio 3:2). If a result falls outside the target octave, we shift it by factors of 2 (divide or multiply by 2) to bring it inside the octave that starts at middle C (261.63 Hz) and ends at 523.26 Hz.
Step-by-step calculations (work shown)
Start: C = 261.63 Hz
Rule used: To go up a fifth: multiply frequency by 3/2. To go down a fifth (shorten string to 2/3 length): multiply by 2/3. After each multiply, if result lies outside the C-octave (261.63 – 523.26 Hz) shift by factors of 2 into the octave.
- G (a fifth above C): G = C × 3/2 = 261.63 × 1.5 = 392.445 → 392.45 Hz
- D (a fifth above G): D = G × 3/2 = 392.445 × 1.5 = 588.6675 → divide by 2 to bring into octave = 294.33375 → 294.33 Hz
- A (a fifth above D): A = D × 3/2 = 294.33375 × 1.5 = 441.500625 → 441.50 Hz
- E (a fifth above A): E = A × 3/2 = 441.500625 × 1.5 = 662.2509375 → divide by 2 = 331.12546875 → 331.13 Hz
- B (a fifth above E): B = E × 3/2 = 331.12546875 × 1.5 = 496.688203125 → 496.69 Hz
- F (a fifth below C, or equivalently a fourth above C): F = C × 2/3 = 261.63 × 0.6666667 = 174.42 → multiply by 2 to bring into the octave = 348.84 Hz
- Upper C (octave): C' = 2 × 261.63 = 523.26 Hz
Explanation in plain words
When you cut the string length in half, the pitch goes up one octave because the frequency doubles. When you shorten the string to two-thirds its length, the frequency becomes 3/2 times larger (so the note is a perfect fifth above). Pythagoras built the scale by repeatedly using these fifths and then shifting by octaves so all notes fit between C and the next C.
Note on rounding
Values above are rounded to two decimal places for clarity; more decimals are available if needed.
Conclusion: The Pythagorean C scale comes from stacking 3:2 fifths (or using 2:3 length cuts) and normalizing by octaves. Music, math, and a monochord walk into a bar — and yes, it sounds like Ally McBeal humming a perfect fifth.