Plaintiff: Student (Age 13).
Charge: Calculating the Pythagorean scale and interval ratios; procedural rounding and fraction conversion.
FINDINGS OF FACT (clear, concise):
1. Student correctly identified the 1:2 string ratio and correctly computed middle C (261.63 Hz) → octave 523.26 Hz. Verdict: Accurate. Praise is earned but not permission to be lax.
2. Student correctly computed the 2/3 division: 261.63 × 3/2 = 392.45 Hz (G). Verdict: Accurate. Well done.
3. The Pythagorean C scale frequencies reported are consistent with successive 2/3 operations adjusted by octaves. Verdict: Methodologically sound.
4. Interval-ratio conversions show systematic errors: D should be related to C by 8/9 (≈0.8889), not 4/5; E relates as 64/81 (≈0.7901), not 4/5; G is 2/3 (≈0.6667) and must be recorded; other fractions (A, B) must be recomputed from exact decimal quotients using the stated rounding rules. Verdict: Needs correction and precision training.
RULINGS (rubric-comment style):
- Accuracy (Knowledge): Strong for physical concepts and frequency arithmetic; partial for interval simplification (requires fraction-decimal conversion skill).
- Reasoning & Method: Shows correct procedure (use of 2/3 repeatedly) — show intermediate calculations when adjusting octaves. Be explicit about which frequency you divided or multiplied and why.
- Communication & Notation: Write ratios as fractions then simplify. Follow the given rounding rule before converting decimal to fraction.
- Independence & Rigor: Student demonstrates good persistence. Expect exactness: no casual approximations.
DIRECTIVES (remediation & standards mapping):
1. Recompute each interval: divide 261.63 by each note frequency, apply specified rounding, then convert decimal to the nearest simple fraction (e.g., 0.8889 → 8/9).
2. Tie work to ACARA v9: Mathematics — Number and Algebra (ratios, fractions, decimals, Years 8–9) and Measurement/Applications (Years 9–10); Arts (Music) — pitch, scales, acoustics (Years 7–10). This task meets and, by explicit cross-disciplinary reasoning, exceeds expectations by applying mathematical rigour to musical acoustics.
ORDER: Correct the interval table, attach step-by-step conversions, and resubmit. I will accept no sloppiness. You earned praise; now earn mastery.