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Overview — 4 Levels (flashcard style)

Use four stacked, color‑coded flashcard levels to teach sentence structure from the ground up:

  • Level 1 — Parts of Speech (words: the building blocks)
    • Nouns (blue) — people, places, things, ideas.
    • Verbs (red) — actions or states.
    • Pronouns (teal) — replace nouns.
    • Adjectives (green) — modify nouns.
    • Adverbs (orange) — modify verbs/adjectives/adverbs.
    • Prepositions (purple) — show relationships.
    • Conjunctions (brown) — join words/phrases/clauses.
    • Interjections (olive) — exclamations.
  • Level 2 — Phrases (groups acting as a unit)
    • Prepositional phrase (prep + object): "of the two cities"
    • Appositive phrase: "the earthly and the heavenly" (renames/specializes "two cities").
    • Verbal phrases:
      • Infinitive phrase: "to discuss"
      • Gerund phrase: (not in this sentence) e.g., "discussing the matter"
      • Participle phrase: (not central here) e.g., "given time"
  • Level 3 — Clauses (subject + verb)
    • Independent clause: can stand alone — e.g., "I must first explain."
    • Dependent/subordinate clause: cannot stand alone — e.g., "As I see that I have still to discuss ..." (adverbial/introductory).
    • Clauses can be nested: a clause can contain another clause as object or modifier.
  • Level 4 — Sentence Level (how clauses combine)
    • Simple: one independent clause.
    • Compound: multiple independents linked by conjunction/;.
    • Complex: one independent + one or more dependents (this Augustine sentence is complex and layered).
    • Remember: every clause/sentence has two sides — subject side (who/what) and predicate side (what is said about it).

Target sentence (Augustine, The City of God — Marcus Dods translation)

As I see that I have still to discuss the fit destinies of the two cities, the earthly and the heavenly, I must first explain, so far as the limits of this work allow me, the reasonings by which men have attempted to make for themselves a happiness in this unhappy life, in order that it may be evident, not only from divine authority, but also from such reasons as can be adduced to unbelievers, how the empty dreams of the philosophers differ from the hope which God gives to us, and from the substantial fulfillment of it which He will give us as our blessedness.

1) High‑level clause map (plain)

  1. Introductory adverbial clause: "As I see that I have still to discuss the fit destinies of the two cities, the earthly and the heavenly," — gives the reason or context for what follows.
  2. Main independent clause: "I must first explain ..." (the central action).
  3. Parenthetical limitation: "so far as the limits of this work allow me" — an adverbial phrase restricting "explain."
  4. Direct object of explain: "the reasonings by which men have attempted to make for themselves a happiness in this unhappy life" — a noun phrase containing a relative clause.
    • Relative clause: "by which men have attempted to make for themselves a happiness in this unhappy life" (explains "reasonings").
  5. Purpose/result clause: "in order that it may be evident ... how ... differ ... and from ..." — explains why he must explain: so that the contrast is evident.
    • Embedded content clause introduced by "how": "how the empty dreams of the philosophers differ from the hope ... and from the substantial fulfillment ..."
    • Two relative clauses inside this: "which God gives to us" (modifies "hope") and "which He will give us as our blessedness" (modifies "fulfillment").

2) Word‑level color coding (legend + fully marked sentence)

Legend: Noun · Verb · Pronoun · Adjective · Adverb · Preposition · Conjunction · Determiner/article

As I see that I have still to discuss the fit destinies of the two cities, the earthly and the heavenly, I must first explain, so far as the limits of this work allow me, the reasonings by which men have attempted to make for themselves a happiness in this unhappy life, in order that it may be evident, not only from divine authority, but also from such reasons as can be adduced to unbelievers, how the empty dreams of the philosophers differ from the hope which God gives to us, and from the substantial fulfillment of it which He will give us as our blessedness.

3) Clause‑by‑clause parse with subject/predicate sides

Every clause: left = subject side (who/what), right = predicate side (what is said). I color the subject words light cyan and the predicate words light yellow so you can see the two 'sides'.

Clause A (introductory adverbial):
As I see that I have still to discuss the fit destinies of the two cities, the earthly and the heavenly

Clause B (main independent):
I must first explain

Parenthetical/limitation (adverbial phrase modifying explain):
so far as the limits of this work allow me

Object of explain (noun phrase with relative clause):
the reasonings by which men have attempted to make for themselves a happiness in this unhappy life

Purpose/result clause:
it may be evident, not only from divine authority, but also from such reasons as can be adduced to unbelievers, how the empty dreams of the philosophers differ from the hope which God gives to us, and from the substantial fulfillment of it which He will give us as our blessedness


4) Emoji flowchart translation (concept nodes + arrows)

Each node summarizes meaning with emoji; arrows show containment and logical flow.

👁️ "I see" (introductory) → 📚 "I have to discuss" → 🏙️🏙️ "the two cities (the earthly & the heavenly)"
⬇️ (so)
➜ 🗣️ "I must first explain"
└─(limit) ↳ 🔒 "so far as the limits of this work allow me"
└─(object) ↳ 🧠⚖️ "the reasonings" → (relative) 👥 "by which men have attempted" → 🎯🙂 "to make for themselves a happiness" → 😔 "in this unhappy life"
⬇️ (purpose)
➜ 🔍 "in order that it may be evident" → ✝️📜 "not only from divine authority" ↔ 🤝📚 "but also from reasons that can be adduced to unbelievers" → 🔁 "how (comparison):"

  • 💭 "the empty dreams of the philosophers"
  • ≠ ↔ 🙏 "the hope which God gives us"
  • ≠ ↔ 🎁 "the substantial fulfillment of it which He will give us as our blessedness"

5) Ally McBeal cadence & oral delivery script (expressive, performative guide)

Ally McBeal style: light, confiding, slightly sing‑song, with dramatic micro‑pauses and breathy inflection on key contrasts. Use these directions while reading aloud. Markers: (b) = small breath, (B) = fuller breath. ↑ and ↓ indicate pitch shift.

(B) As I see (b) that I have still to discuss the fit destinies of the two cities — the earthly and the heavenly, (b)
(slightly firmer) I must first explain (b)
(soft, qualifying) so far as the limits of this work allow me, (B)
(build, gentle urgency) the reasonings (pause) by which men have attempted to make for themselves a happiness in this unhappy life, (b)
(relieved, almost conspiratorial; raise slightly on "in order") in order that(soften) it may be evident, (b)
(contrast — small, crisp beats) not only from divine authority, (b) but also from such reasons as can be adduced to unbelievers, (B)
(a little dramatic — slower for the contrast) how the empty dreams of the philosophers (b) differfrom the hope which God gives to us, (b) and (b) from the substantial fulfillment of it which He will give us as our blessedness. (B — hold final note, then relax)

Cadence tips in brief:

  • Commas = small breath (about 0.2–0.4s). Use them to subdivide phrases.
  • Major clause boundaries (before main clause and before purpose clause) = fuller breath (0.6–1.2s) and a small pitch reset.
  • On contrasts like "not only ... but also" and "differ from ... and from ..." slow slightly and make "differ" a little higher in pitch to highlight the verb of comparison.
  • Keep "the earthly and the heavenly" as a tight appositive group with a slight uptick between the two words then a falling completion at the appositive end.

6) Rhetorical, syntactic, and grammatical reflections

  • Structure: Augustine uses a fronted subordinate clause ("As I see ...") to justify the upcoming statement; it softens the assertion and frames it as considered, not rash.
  • Dense modification: Noun phrases are heavily qualified ("the reasonings by which men have attempted to make for themselves a happiness in this unhappy life") — a chain of head noun + prepositional/relative modifiers that stack meaning.
  • Parallelism and contrast: The "not only ... but also" phrase plus the "differ from ... and from ..." structure creates a triple contrast (empty dreams vs hope vs fulfillment) building to a theological point.
  • Pronoun management: "it" is anticipatory in the purpose clause: "it may be evident how ..." — "it" prepares the reader for a later explanatory content (the "how" clause).
  • Register & style: Formal, discursive, Latinate syntax (subordination, abstract nouns like "reasonings", measured cadence), suitable for oral exposition where the speaker needs to guide the listener through nested arguments.

7) Breathing and pause plan (practical)

Before practicing aloud, mark four strategic breathing points and micro‑pauses:

  1. After the opening clause: breathe (B) — '(As I see ... the earthly and the heavenly,) (B)'.
  2. After the main verb phrase: 'I must first explain,' small breath (b).
  3. After the parenthetical limit: small/full breath depending on your lungs — '(so far as the limits of this work allow me,) (b/B)'.
  4. Before the final comparative series: breathe to prepare for the slow, emphatic contrasts — '(...to unbelievers,) (B) how ...'.

8) Practice steps (lesson plan)

  1. Level 1: color‑code each word on flashcards (one word per card) and sort them into parts of speech piles.
  2. Level 2: group cards into phrase cards (e.g., prepositional phrase: "of the two cities").
  3. Level 3: assemble clause cards and label subject/predicate sides; practice saying just each clause with correct breathing marks.
  4. Level 4: read the whole sentence aloud with the Ally McBeal cadence script, recording and checking pauses and pitch changes. Repeat until fluid.

If you want, I can generate printable color PDF flashcards, make a short audio file of the Ally McBeal delivery, or produce a step‑by‑step worksheet for students to mark subjects/predicates and phrase types.


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